Practice each chord – for example, triad or dominant seventh chord – with your hands in the root position, all up and down on the keyboard. If this is too hard, you can train your hands separately first, but you should soon be able to do them upside down on the keyboard in your hand. If you do triads, just play CEG with the left and the same with the right in the piano mode. Then move octave by octave until you are out of notes. Then play them again from top to bottom. Continue with triads in each key around the circle of fifths. This means navigating around the keys down one-fifth each time: the keys on C, F, B-plate, E-plate and so on through all the keys. Finally, go up and down, playing only one chord in each key in the circle of the fifth: for example, C chords up to F chords, and so on.
Practice jazz chords in the second direction around the fifth circle. This will help you master jazz chords. Go from C to G to D, and so on. First, each chord (eg CEGB) plays up and down on the keyboard and then from key to key up and down (C chords, F chords, etc.). You should do this with all kinds of chords, no matter how simple or complex it is. For example, you can practice smaller triads, dominant sevenths, major sevenths, or any type of chord. But this is just the beginning.
The next exercise of each chord, happens together, but instead of in the root position each time, plays through the objections of each chord. Learning the inversions is crucial to truly mastering jazz chords on the keyboard. For example, instead of just CEG, you constantly play first CEG, then EGC, then GCE, CEG, and so on, all the way up the keyboard, back and forth. Practice the chord you are working on, such as half-reduced chords, in all inversions, up and down. Of course, four note chords can start on any of the four notes and have more inversions. Practice the chord you study in all keys, around the circle of fifths. Then practice the first inversions, say, in each key around the circle of the fifths, up and down on the keyboard. But there is still more practice to lead you to true championships!
4. Once you have learned the jazz chords in all their inversions, practice each type of chord (major or minor triads, all kinds or seventh, ninth and so on) starting in a comfortable place on the keyboard, hands together. Work again both ways around the fifths, but with one important difference. You go from one chord to the next (C7, F7, B-plate 7, etc.) in as smooth a way as possible, and hardly try to move your hands at all. This is the important step that will get a good voice leading to your brain and fingers.
Finally, take this finger and the brain masters the jazz chords and use it on the keyboard or piano in which songs you want to play. With your fingers you can find the chords easily and naturally, and you can play chords in any position at any time. jazz chords and become a complete keyboard or piano player!
If you want to play jazz chords on the keyboard or piano, you would probably really want to master these chords. A friend who is a true jazz artist taught me how to study and learn the chords like a pro. Before you begin, you need to know how to spell the chords and some basic music theory, but these methods will show you how to put the theory into practice. Here are the tricks he taught me: